theoretical underpinnings








"It goes without saying that what the architect chooses to draw, using his sketchbook as a record of observation, reveals the examination of his artistic conscience."[1]



This Self-directed thesis project began with an investigation into the nature of our personal artistic conscience: those experiences, images, impressions and memories that make up the totallity of the artist.


1. Michael Graves,"Le Corbusier's Drawn Reference," in Le Corbusier: Selected Drawings (London: Academy Editions, 1981): 8-25









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